I forget how I ended up with a copy of Marvel Comics' "Devil Dinosaur," but it was around the same magic time that their Godzilla series was being issued. As a kid, all I knew is it had a big red dinosaur as the main character, and that's all it took.
However, the great surprise of the first issue I got my hands on really was twofold: (1) not only were there dinos and cavemen, but there were also robot/aliens from the future and (2) I loved the way the art looked. What I didn't know at the time was that I was getting hooked on Jack Kirby. It was just totally unlike anything I had seen before.
Fast forward to the present, when I am just now finding out that there was a "Devil Dinosaur Omnibus," a hardcover, full-cover collection of the whole nine-issue run. Bad news was it was going for nearly a hundred bucks on eBay. Good news was a Half Price Books in Houston had it for far, far less, and now it's become part of the MO library. All I need is a pack of Bubble Yum and I will truly be seven years old again. I love the Internet.
Kirby got to a point in this series where he started doing these two-page spreads that are nothing short of works of art. If you even just like Kirby, you've got to see them. It's amazing to me what he put into these pages. His was a singular talent, and I sure enjoy his unique vision.
Sunday, January 8, 2012
Minifigs on Parade
Christmas Break afforded us the chance to return our favorite toy store, the one and only Spaceman Floyd's Cosmic Toys in Madison, Ohio. We were happy to find the place populated by a steady stream of customers with the Spaceman himself on the bridge.
The kaiju checkout shelf
Specializing in vintage toys of all types, Spaceman Floyd's has much more to offer, including books and periodicals (such as back issues of The Monster Times), model kits, board games, posters, postcards, video game systems, and more that I'm probably forgetting. Without a doubt, SFCT is the kaiju capital of Lake County, with many collectibles lining the shelves (especially for the discerning vinylphile).
Spaceman Floyd and Captain Andy
Andy adds: "It was fun! I am glad to see that it has exploded in Spaceman Floyd's. I remember seeing the front window, with the battle scene on Hoth and a LEGO Sandcrawler. I got a Lord of the Rings Prologue Elven Warrior action figure. I like Spaceman Floyd's because of all of the action figures."
Shelf after Shelf of Toybiz LOTR figures
It was great to be back, if only for an hour or two. For the record, Spaceman Floyd's is the only vintage toy store at which the owner has ever offered me an orange (I accepted). It's just that kind of place.
Wednesday, January 4, 2012
Monday, January 2, 2012
Deep in the last uncharted territory of Northeast Ohio lies a place where mighty monsters still roam: Cuyahoga Kaiju Club Headquarters. Members of the CKC squad were summoned the week after Christmas for fun and fellowship, and were not disappointed.
The festivities began with--what else--food! While enjoying the tasty treats, we also had the opportunity to examine two of the new S. H. Monster Arts Godzilla figures: Godzilla himself and the 90's Mecahgodzilla. While undeniably cool, CKC members were fairly unanimous in the following observations: (1) Godzilla's head seems too small, especially in reference to the prototype on the box. (2) While heavily articulated, Godzilla is not quite mobile enough, while Mechagodzilla's hip sockets seem too loose to keep him upright. (3) The energy beams included with each figure are a neat touch. (4) Overall, these are nice collectibles, but are a tad pricey for the size. Kaiju Don brought out his Revoltech Legion, which is of comparable size, even smaller than the S.H. figures, and my personal opinion is that it had a bit more pizazz. That's no knock on the S.H. figures, but I will probably not be rushing out to purchase them any time soon.
Soon it was time to enter the CKC theater, and first on the viewing list was "Frankenstein Conquers the World." I've seen this film before, but seeing it again in its entirety brought ought both the strengths and pitfalls of this movie. First, the strengths: FCTW features a classic cast, with fan favorites Nick Adams and Kumi Mizuno in the starring roles. Toho vet Tadao Takashima keeps things interesting as a scientist with a keen interest in the irradiated Frankenstein, and kaiju fans will notice the brief appearances of Yoshio Tsuchiya, Jun Tazaki, Kenji Sahara, and Takashi Shimura. Haruo Nakajima, who is the suit actor inside the Baragon costume, also is seen onscreen as a helicopter pilot.
Another strength of this film is the effects work, though in the same breath it must be said the results are mixed. Some of the sets built for FCTW are so huge and lush one forgets they are sets. Yet this same movie has an extremely fakey-looking horse and chicken feathers that are waaay out of scale, compared to a giant monster, not to mention some rather obviously radio-controlled cars, and a crawling hand that could pass for a Halloween decoration. For the most part, the growth of Frankenstein is handled well, although the question of clothing/animal skins is never really addressed, and probably ought to be ignored altogether if one is going to enjoy FCTW. Although this really isn't a movie to be taken "seriously," it does offer some genuinely creepy moments, most of them having to do with the facial appearnce of the Frankenstein monster.
One more strength of FCTW is simply the audacity of its premise. There is a crazy brillance to the idea of Frankenstein's monster's heart being shipped back to Hiroshima just in time to be exposed to the Bomb.
Unfortunately, the worst part of this monster movie is the monsters. Frankie is just a big, spindly, ugly guy, whom, it is insisted, is obviously Causcasian (!). This led to some great CKC riffing, you can be sure. Baragon, as Frankie's foe, is tragically goofy. With big, floppy ears, a taste for farm animals, and a penchant for leaping about, Baragon just isn't that much of a menace. The closing battle, which should be hugely climactic, is hampered by the fact that you essentially see a skinny human wrestling with a funny looking monster, which is another way of saying that the audience's ability to suspend disbelief is stretched past the breaking point. In the end, the concept of the film is more intriguing than its actual cinematic execution, but it is still worth numerous screenings for any self-respecting kaiju fan.
After a quick intermission, it was on to "Gamera 2: The Advent of Legion," a film that has grown on me over time, to the point where I consider it one of the best kaiju films ever made, even slightly better than "Gamera 3: Revenge of Iris." A few reasons why I hold it in such high regard: (1) The effects work is impeccable, featuring a number of trend-setting scenes like Gamera sliding to a stop in the city. (2) The story of Legion is handled with some intelligence, including Biblical allusion! (3) The Gamera "character" is somewhat complicated; he is not regarded as a clear-cut savior, nor is he always successful in defeating his enemy. (4) The filmmakers had the guts to decimate an entire city and region in the story. (5) Hiroyuki Watanabe has a small but important role in the final third of the film (We chauffered Mr. Watanabe to and from Chicago's Field Museum this past summer at G-FEST.) "Gamera 2" looks great on the Mill Creek Blu-ray edition. These releases are an unbelievable value for monster lovers.
At the conclusion of "Gamera 2" it was time for us to go. Time flies, where the CKC is concerned. It was a great way to close out a very memorable kaiju year, and we here at Monsterland Ohio continue to be thankful that a mutual enjoyment of fantastic cinema has brought such good folks into our lives! Happy New Year!